Civ 4 Afterword

When I was growing up, the first thing I would do when opening a new computer game (or a new wargame, for that matter) was flip to the back of the manual to see if there were Designer Notes. It was always a thrill to see them, giving me a little insight into the decisions, compromises, and challenges faced by working game designers. I regret that the industry has moved away from this tradition over the years (although the blogosphere is on its way towards replacing it), and so I was very happy to get a chance to write a lengthy Designer Notes section at the back of the Civ 4 manual. Since then, people who don’t have access to the paper manual itself have often asked me if this piece was available somewhere on the Web. Well, thanks to Steam, now it is!

Here’s the link.

Presentations

Continuing the trip down memory lane, I added a section to my sidebar chronicling various articles or presentations I have done over the years. I will expand it further as I find new links. (Unfortunately, the link to my 2004 GDC slides appears to be now dead. I’ll provide my own source for this talk when I get a chance.)

Update: GDC 2004 link is now fixed thanks to Apolyton!

Interviews Page

One of the nice features of WordPress is a managed system for adding Pages, which are like permanent entries always available in my sidebar (or elsewhere if I change my theme). Besides my About Page, I’ve added one compiling all my interviews and chats over the years. It’s mostly for my own nostalgia, but if you want to relive the heady days of the Civ3 1.21 patch, it’s the place to be!

Off to Brazil…

Not sure how many Brazilian readers I have, but I am going to speaking next week at the SBGames Conference in Sao Leopoldo. Latin America is one area that is usually off the radar for game developers, so I’m looking forward to learning more about the games market down there. I know Civ always had a sizable fan community in Brazil although I’m not sure how many of those fans actually bought legit copies of the game. As the PC gaming industry moves from boxed retail to online distribution, it’ll be interesting to see if these forgotten markets like Latin America, Russia, India, the Middle East, or even Africa become more important.

Dear Microsoft,

Gameplay is a word.

I have written a lot about game design over the years, and I have finally gotten sick of seeing the red squiggly little lines in Word show up every time I type “gameplay” – the closest thing we have to defining the essence of our art.

Here’s a list of words that don’t get the red squiggle from Microsoft:

plot
story
quest
character
dialogue
movies
graphics
polygons
textures
resolution
monsters
bosses
weapons
shields
spells
lives
victory
defeat
rewards
levels
cheats
walkthroughs
Xbox

…but no gameplay. Or replayability either. Hmmm…

Watch This

Christopher Kline, lead programmer of Bioshock, just gave an excellent post-mortem on the project at a Montreal IGDA event. I always find it interesting to hear about design decisions which seem obvious from the outside but took multiple iterations to get right internally. Namely, the Little Sister characters started out as sea slugs and only ended up as young girls after a number of rewrites. Obviously, we feel a lot less empathy for slugs than children, and the game’s central moral choice – to harvest or to save the Little Sisters – would be a lot less meaningful without that empathy.

So, how did they start so far off the mark with the sea slugs? Shouldn’t it be obvious that the players would have a whole different game inside their heads once they are making a decision about a fellow human being? This question is key to understanding why good game design is so difficult. When you build a game from scratch, nothing is obvious. Games are only as good as the number of times your team can go through the design-implement-feedback loop. The sooner you start – and the wider a net you cast for play testers – the better.

Btw, does anyone know how I can embed this video without having it stick to the left margin?

Read Me

Borrowing an idea from Damion Schubert’s ZenLexicon, I’ve added a Read Me section in the sidebar to highlight the posts which come closest to describing my design philosophy. If you are new to the site, you might want to peruse those articles.

Music = Shareware?

Radiohead has caused a pretty big stir by announcing that their new album, In Rainbows, will be initially released as download-only, and they are allowing their customers to name-their-own-price for the album. (Further, the only physical version of the album available – the “discbox” – costs a very pricey 40 quid, essentially forcing the vast majority of fans to buy the album as a download.)

This business model sounds fairly radical to music consumers, but it is actually pretty familiar for gamers. Simply put, In Rainbows is shareware, meaning freely-distributed digital data with optional payment. Small-scale games (or larger ones, like Doom) have been distributed as shareware since the very beginnings of personal computing. I’m looking forward to seeing the results of Radiohead’s gamble. Personally, I would prefer digital music to move towards either a subscription service or a single, non-DRM download shop, but it’s nice to see a novel option been tried (or borrowed).

Jonathan Blow Asks Why?

Jonathan Blow, of Braid fame, recently gave an interesting talk at the FreePlay conference in Australia. (The video is available here.) His main point is that we are not asking ourselves “Why do I want to make this game?” Instead, we are usually asking “How” questions, such as “How do I get into the industry?” or “How do I get publishers to notice my game?” It’s an unusual way of looking at game development, and I bet most developers have never asked themselves this question.

I was asked a similar question a couple months ago by fellow Sporean (Sporite?) Chris Hecker – he asked if my game design had a theme. Was there a specific idea or experience that I was trying to convey to the player? The answer that came to me also answers Jonathan’s question. Namely, I want players of my games to feel that “no one choice is always right.” In other words, the challenge is adaptation, looking at a specific environment and finding a successful path. In Civ4 terms, if you start the game next to marble and stone, you might want to focus on wonders. If you start between Napoleon and Montezuma, you better make sure one of them is your friend. If you’re surrounded by jungle, better prioritize Iron Working; if you’re water-locked from the rest of the world, better get to Astronomy. Of course, in each game of Civ, multiple situations and challenges come at you at once, so it’s a question of prioritizing, deciding which opportunities to take advantage of and which ones to ignore.

So, why do I believe that it is important to understand that being flexible is better than being rigid? Why is it better to build a plan from your environment instead of forcing your strategy onto the world? The answer is my own philosophical background, my world view.

If the twentieth century has a single theme, it is that ideology itself is a dead-end, a failure. The growth of mass media enabled ideas to motivate people in ways never before imagined. Time and time again, these ideas allowed dogmatic leaders to demonize the “opposition,” which usually meant helping the strong to terrorize the weak. From the Nazi death camps to the Soviet gulags to China’s Cultural Revolution to America’s McCarthyism, the twentieth century was full of ideas that gave power to autocratic leaders not afraid to destroy the lives of those who resisted. Much as we hate to admit it, these leaders were supported by the masses of people who believed blindly in the ideas they represented. Before becoming a dictator, Hitler was initially elected to power. (“People will more easily fall victim to a big lie than to a small one.”) For much too long, Stalin had an embarrassing number of communist apologists all around the world. (“One death is a tragedy; a million is a statistic.”) They are now primarily remembered as mass murderers.

I personally despise ideologies because they inevitably lead to a belief that there is one set of solutions to the world’s problems. One set of solutions means all other options are heretical, which means they must be controlled. Ideologues put ideas above people, which is the beginning of terror and oppression. People are more important than ideas; in fact, people are more important than everything because they are, in fact, the only thing.

I don’t imagine that Civ4 tackles these issues as well as it could have, but I do know that my inherent distrust of ideologies does lurk under the surface of the game. Take the civics system, for example. Unlike previous Civ games, which let you could choose between broad labels like Democracy or Communism, Civ4 lets you build your government à la carte. You can mix State Property with Free Speech, or a Police State with a Free Market, or even Slavery with Universal Suffrage. Ideologues love labels because they dehumanize and obscure the opposition; both sides of the Cold War made liberal use of the terms “Communist” and “Capitalist” to differentiate each other, even though the United States government has slowly adopted communist programs piece-meal over the last century. Why exactly was the U.S. – a country with social security, medicare, welfare, a minimum wage, labor laws, and trade unions – fighting to keep Communism out of Vietnam? In fact, if you took a typical Red-fearing, trade-union-busting industrialist from 1907 and sent him 100 years into the future and explained how America now works, he would assume that the Communists won after all! Labels exist to separate and control people, and I wanted the civics system to encourage people to look behind the labels and at the actual choices a society needs to make when governing itself. It was no accident that I attached Mt. Rushmore to Fascism; carving mammoth statues of your country’s greatest leaders into a MOUNTAIN is fascist, even if we do not live under Fascism. Our own self-labeling as Democratic and Capitalist does not protect us from charges that our country is damaging the world when our policies hurt people, real people.

Of course, discouraging rigid thinking is not the only reason I make games, but it is the best answer I can give to Jonathan’s question. If I ever get to release my dream strategy game, this idea will be clearly be at the center of the design. It’s good to have a reason.

Hello world! (Again!)

I have been blogging on and off (mostly off) for about two-and-a-half years now. Back then, I decided to use Movable Type, which seemed awfully powerful but turned out to be not very user friendly. Further, I kept seeing all these nice features on other people’s blogs (multi-category posts, pages, blogroll sections) which must have been more than a coincidence. Indeed, they all seemed to be using WordPress, which puts the most useful features right in front of the blogger. (I had to hack an About page on Movable Type, whereas it comes built-in on WordPress.) It began dawning on me that I may have made the dreaded Wrong Software Choice. Worse still, although I wanted to change, I had nightmares that I would basically have to start a new site from scratch, and my beloved designer-notes.com would fade away into obscurity.

Not so! Thanks to the awesome support at Living Dot, my old site is reborn on WordPress. I sent them an e-mail asking if this switch was possible and not even two hours later, I was looking at my new/old site. Huzzah!

I think it is a common mistake, actually, for “technical” people like me (hey, I’ve got the MS is CS to prove it!) to always go for the “more powerful” option when choosing software, even if it ends up being less powerful because we never make it past the beginning level. Just because I know C++ doesn’t mean I’m any better at html/php than the next guy.